me, kdg
Kim de Groot is a design researcher with an MA in new media. She is part of the lectoraat Communication in a digital age and teaches new media at the Willem de Kooning academy Kim's research deals with the inverted relation between image and reality. Moving from representation to the performative, from the visual to the infrastructural, images are no longer created to represent a reality but to manage it. Kim examines images as informational objects and traces the relations between image, event and media.

art

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KdG

the grey 19

In many ways, Malraux's vision has become much more than true: Taken literally, today's "Musee imaginaire" will most likely be a sort of semantic museum, a virtual collection of all artworks online, eventually re-arranged in an hypermuseum that is perfectly accessible through the algorithms of a search engine or an encyclopedic approach which sets out to categorize all kinds of predominant styles in art. But to the same extent as a great number of artworks get sort of visible and digitally accessible, more and more material needs to be ignored, marginalized and kept away in a status of uncertainty, unclassifiable and unwanted as such. Supposed to be neither an artwork nor archive material, rejected by the depot as well as the library, those pieces refuse meaning on a meta-level, precisely because they cannot be reduced to metadata. Rather than imagining as if there were real access, an imaginary museum would have to intervene into the struggles for imagination itself. Its most precious pieces would be what could have been easily thrown away without anyone noticing it. (text by Florian Schneider)

floor with originals

mobilemetadata mobile











website: http://grey19.imaginaryproperty.org/website



http://grey19.imaginaryproperty.org


The Grey 19 is based on artworks that float between archive, depot and collection. The floor offers an overview with the 'original' works. This is the basis on which we have constructed the website and the mobile, both build on the metadata that these artworks have gathered while being 'housed' by the Van Abbe museum.



KdG

Time machines at Play Van Abbe

andré malrauxandré malrauxTogether with Florian Schneider who is invited as guest curator for Play Van Abbe I have been working on the museum model of André Malraux, Le Musée Imaginaire, for Play Van Abbe Part 02. As a part of Timemachines, Part 02 of Play Van Abbe, the Museum Modules section presents four studies based on special museum projects from the past. It will open on 10 April and run until 12 September 2010

Central questions of the Play Van Abbe project are:
What is the role of an art museum in the 21st century?
What are the conventions of a museum and to what extent are we aware of them?
How did they develop and are they appropriate today? Can we make them visible? Change them? Play with them?

For 18 months, the multifaceted programme of Play Van Abbe will take the collection and use it to suggest answers to the questions outlined above. It aims to focus not only on the artworks themselves but also on the way we are allowed to look at and to talk about them in a museum. Questions about form and content, copy and original, good and bad are put up for argument. The apparent neutrality of the museum is tested and the relation to exhibiting and collecting art is explored. The history and purpose of art museums in general and Van Abbemuseum in particular are revealed as partial and related as much to ethical decisions about society as to aesthetic choices about beauty and order.
http://vanabbemuseum.nl



KdG

Now is the time! on Media

On October 3 the University of Amsterdam organized the first two lectures as a part of Now is the time! a lecture series on art and theory in the 21st century. The topic of this evening was the relation between new media and art.
What is the status of the medium in art production and the discourse in art, in this situation referred to by Rosalind Krauss as the ‘postmedium condition’? How can an artist act critically in this complex cultural field now dominated by multimedia and mass media?
http://www.nowisthetime.nl

Kaja Silverman discussed the role of the digital image in the work of James Coleman, an intervention in Leonardo da Vinci,  for the Louvre in 2003. Her lecture was followed by Laura Marks who held a very interesting talk about the relation between new media and Islamic art. Both lectures presented intriguing insights on the current state of the (digital) image.



KdG

Picnic

From wednesday to friday I will join Picnic, a new media festival in Amsterdam, as an artist and share my report with you here on my blog and on friday at Picnic between 15:00 - 17:00 at the Flexbar. http://www.picnicnetwork.org/page/27590/en

One of the reasons I like to attend Picnic is to find out how research is combined with design and artistic practice. Another reason is that many of the events seem to allow for visual answers, proposals or scenarios.

Of course my picnic report will be related to my work for Imaginary Property. I will be experimenting with what the digital networked image could look like and through this interface, show its workings.
It is the current transformation of digital (networked) images that intrigue me, turning into owned objects, containers of data while at the same time, identifiers of (property) relations within a network.

What is Picnic's property model?
What properties do Picnic images contain?



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